Monday, February 28, 2011

Top 10 Anime Intros: Part 1

#10: Thundercats

  Thundercats is considered an "American" cartoon, but the American animation never lived up to the promise of its intro that wasn't even animated stateside; the Japanese animators threw down the gauntlet with the intro, and it was my first real taste of what and action cartoon should be. Even as a small child I wondered why the hell the show didn't look and move like the intro all the damn time.






#9: Dragonball Z: American Intro 

In terms of my first real anime love, there is nothing that pumped me up more as an 11 year old than the American Dragonball Z intro. Coincidentally, it was also the first major breakthrough for an anime that didn't have the Pokemon moniker. I dovetailed into this series hard, even buying the freshly subbed VHSs from Funimation just so I could be the first to see the Trunks saga.





#8 : Ghost in the Shell: Stand Alone Complex

I could never get into the series, but I never stopped loving this intro. For me, it hits the nostalgia buttons hard, as the composer is the same that did Final Fantasy VII. Beautiful work and animation.



#7: Naruto Shippuden: Intro 8

Love the manga and the anime (when it's not suffering from boring filler), and the intros are consistently so good, that you could probably include 4 of them on the list; what more can you expect for the #1 show in all of Japan? This is the latest intro as the show shifts back to the main storyline.




#6: Cowboy Bebop


This is a show that trancended the genre, with dialogue, action, and editing more akin to a Tarantino's Kill Bill. It's space "Jazz-opera" concept is one of a kind, and it's no wonder that American filmmakers are still clamoring to get a live-action adaption going.




#5: Samurai Champloo

The spiritual successor to Cowboy Bebop, this time twisting the wandering samurai genre up with a hip-hop flair. The show in its uncut form is hard to come by on Cartoon Network, dumped to the middle of the night for it's harder edge and violence.




GO ON TO PART 2

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